My favorite example of his inventions is 7/17/66, on which he claims: 'for this show, a single Otari 4 track 1' wide tape running at 7.5 i.p.s. There were no 4 track reels made at this show. Charlie Miller commented on his supposed '4-track' source of 8/27/72: 'Jay Serafin is living in a fantasy world. He often has bogus recording info in his lineage. He's known for making up stuff in his show notes - don't trust anything Serafin says.ДЄnother example is his copy of 4/29/71, which is from the common 2-track Buddy Miller reels, but according to him actually came from '8 track RTR 15 i.p.s. Those are Jay Serafin's notes.he means Phil Lesh, but he made it up. (In all these mixes, this is the first weвЂ™ve heard from Hart since the вЂњsputnikвЂќ started.) (For instance, note the stereo reverb on his high notes before and after the вЂњbright star.вЂќ) You can hear KreutzmannвЂ™s drumbeats in the вЂњbright starвЂќ section, and (very faintly) MickeyвЂ™s guiro comes back on the right afterwards. ThereвЂ™s some extra echo applied to Garcia at moments throughout the jam, to emphasize his peak notes. (You can hear his drumroll when Garcia plays the Dark Star melody but in this mix his cymbals are much clearer than the more faint bass drum.) Meanwhile the organ volume grows in some parts, and recedes again. (Garcia & Lesh take on a brief, strangely phased sound entering the вЂњsputnikвЂќ jam.) KreutzmannвЂ™s cymbal comes back after the вЂњsputnik,вЂќ and he gradually brings in the rest of the drum set after a few minutes, though heвЂ™s in the background and not very loud. Kreutzmann canвЂ™t be heard for several minutes MickeyвЂ™s guiro faintly re-enters in a quiet part, then he returns to drum-taps before the вЂњsputnik вЂќ Constanten comes in and out of the mix. Kreutzmann kicks in more during the вЂњbright starвЂќ section leading up to the verse Hart doesnвЂ™t seem to be present until his guiro quietly re-enters on the right.ДЄfterwards, organ and gong and Weir chords dominate as Garcia suspensefully hangs back for a bit, his chimes growing in volume before he pours back in. Once Kreutzmann joins in after the вЂњsputnik,вЂќ his drums can be heard quietly on the left and center, but pushed more to the background вЂ“ for instance, you canвЂ™t hear the drum-roll when Garcia plays the Dark Star melody, and the bass-drum isnвЂ™t nearly as prominent. Lesh doesnвЂ™t stay in the center through the jams вЂ“ sometimes he drifts right, sometimes left вЂ“ but Weir is stable in the mix. The organ playing is clear throughout, particularly in the вЂњsputnikвЂќ вЂ“ Constanten is brought out more here, and thereвЂ™s a brief section where Garcia retreats and Constanten takes a little solo, a moment thatвЂ™s most apparent in this mix. MickeyвЂ™s guiro returns in the center during a quiet part of the jam вЂ“ he switches to the drum set later on with some tapping on the right before the вЂњsputnikвЂќ jam, then disappears. The gong and organ stay up in the mix through the space that follows, before Garcia storms back in.

Bright nights dark days rar